I realize “Seattle’s Best” is a coffee brand, but that’s not what this title is referring to. I just needed a title for this post.
This was supposed to be a post describing my experience shooting with two different cameras, but I decided to leave the shop talk for later and just write a photo blog post.
Carline and I were given an opportunity to fly out to Seattle from Boston (a quick jaunt that proved not so quick coming back) to visit our daughter, some friends and to explore a city that we talked about visiting. Our trip coincided with the Lunar New Year celebration in the city, which is the main focus of this post.
We met up with our friends Matt (of Light & Matter) and Garima (Gari). As always, my main focus in any scene is capturing the human condition, or a derivative thereof, so I concentrated more on the visitors than on the staff and performers of the street celebration (all three blocks of it 🙂 ).
Ok, I can’t resist; I’m going to talk a little about my shooting (I’m weak; what can I say?).
I brought along my Fujifilm X-T1 and my Leica M-P: two cameras with different “philosophies” despite Zack Arias calling the Fuji line “the new Leica”. Being in close proximity with the people around me, forced me to be a bit bold. It was either shoot something or go home empty handed. Perhaps it was because there were tons of people with cameras there that nobody really paid attention. Perhaps it was because nobody EVER pays attention. I was able to take shots at quite a close range. I tested my theory the next day away from the festivities and I pretty much got the same result. Granted, I wasn’t in people’s faces, like some street photographers are, but I was definitely in their periphery.
When I finally got to view the images, I noticed that the ones taken with the X-T1 seemed too “clinical” while the ones from the Leica were more “gritty” or “laid back”. It could be psychosomatic, so I’ll leave it up to you to decide (art being subjective and all).
Overall, the advantages and disadvantages of each camera became grossly apparent. But in the end, it’s all about the capture, though sometimes the “journey” to that capture is what one really enjoys. Even if we had come home empty-handed, we really enjoyed Seattle and the company that we were with.
Carline in the carousel. This shot was nearly impossible to take given that we both were moving and I was focusing manually.
Leica M-P / Summilux 50mm
Mother making sure her kid’s dragon costume is “perfect”
Leica M-P / Summilux 50mm
Me as a tourist. Shot by Matt Gore with a Canon 5D Mk III and Sigma 50mm f1.4 Art Series
Seattle Great Wheel
X-T1 / 18mm f2
Couple
X-T1 / 56mm f1.2
Competition baby
Leica M-P / Summilux 50mm
Local model enjoying the breeze.
Father and son looking overboard
Leica M-P / Summilux 50mm
Girl peering through telescope
Leica M-P / Summilux 50mm
Kid trying to see over the Observation Deck
Leica M-P / Summilux 50mm
Me shooting the horizon with the X-T1 and the XF 18mm f2. Shot by Matt Gore with a Canon 5D Mk III and Sigma 50mm f1.4 Art Series
Intense watching
Leica M-P / Summilux 50mm
Not watching
Leica M-P / Summilux 50mm
Dragon Mask
Leica M-P / Summilux 50mm
Carline petting a dog with the owner
Leica M-P / Summilux 50mm
Models “lipsticking” each other
Leica M-P / Summilux 50mm
I have to give Matt credit for this one. He noticed the scene before me.
Leica M-P / Summilux 50mm
Matt taking pictures
X-T1 / 56mm f1.2
Cellist in a photoshoot
Leica M-P / Summilux 50mm
One of many steep hills
Leica M-P / Summilux 50mm
Painting station
Leica M-P / Summilux 50mm
Shiping containers
Leica M-P / Summilux 50mm
Seattle Great Wheel
X-T1 / 18mm f2
Dancers
X-T1 / 56mm f1.2
Shot of the moon.
Leica M-P / Summilux 50mm
Our women: (L to R) Carline, dude in mask, Gari. Both women have a bubbly personality. Together they have more bubbles than a bottle of Willy Wonka Fizzy Lift
Leica M-P / Summilux 50mm
Mother and daughter watching seals at the aquarium.